An important question is what style of tango one should learn and how the different styles are related to each other. For the purposes of a person learning tango outside of Argentina the styles of tango can be usefully divided into three types:
- Tango de salon – this is the traditional Buenos Aires tango that includes more open embrace tango estilo Villa Urquiza and close embrace tango estilo milonguero;
- Salon style tango – this is a globalised derivation of tango estilo Villa Urquiza that incorporates stage show choreography (tango escenario), that one finds in floor shows, tango competitions, and most commercial tango classes and events around the world;
- Tango nuevo – this is a style created in the 1990s that draws on estilo Villa Urquiza and tango escenario adapted to dancing contemporary tango music, electronic tango and non-tango music; it was popularised in the movie The Tango Lesson;
This seems simple enough, but then the more difficult question that causes seemingly endless arguments in the tango world is whether and how far these styles can co-exist? In order to provide my own perspective on the issue I will define it in terms of the following questions:
- If you learn one style can you dance with people who dance the other styles?
- Can you effectively participate in events of the other styles?
My answer to these questions is basically No, not really. This is not unique to tango: I like Cuban salsa but I find that I cannot effectively dance at parties where people dance LA style salsa because the music and the dancing technique are too different. I don’t really like the music they play, and the women I dance with cannot follow my lead.
You can think of it on analogy with learning to play guitar. If someone told you that they are learning to play guitar you might assume that they are learning to play acoustic guitar because that is what most people start on. But actually a lot of people play electric guitar and others play classical guitar. The instrument, equipment, repertoire, venues and technique involved in each type of guitar are all very different. Still, structurally speaking, they are all types of guitar and so transitioning from say acoustic to classical guitar might be easier than from acoustic guitar to the saxophone or piano.
As with the styles of guitar playing the different styles of tango are only loosely related in terms of the dancing technique and the type of event.* A dancer of Tango Estilo Milonguero will sit through most sets of the non-traditional, post-Golden Era music at a Salon Style Tango milonga waiting for a traditional tune, whereas Salon Style Tango dancers will find most traditional tunes do not fit well with their show-influenced choreography which fits most perfectly with the more dramatic music recorded after the mid-40s (see Proposal for an alternative tango nomenclature). Tango Nuevo dancers will get bored with the traditional stuff but will breaks out with non-traditional tango music, electronic tango and non-tango music.*
So I feel that we best treat these styles as distinct forms instead of lumping them together in the same basket. More importantly for our purposes here that means that the technique and mindset that you learned in a salon style tango or tango nuevo do not apply and will probably hinder your progress if you try to apply them to learning tango estilo milonguero.
… the technique and mindset that you learned in a salon style tango or tango nuevo do not apply and will probably hinder your progress if you try to apply them to learning tango estilo milonguero.
Currently most teachers and events around the world are salon style tango and this is the usual entry point for most people starting out with tango. It is a style of dancing tango that has been adapted to suit the mindset of people outside of Argentina: it has visual appeal so that it attracts people, and it has been formalised into steps and figures so that it is relatively easy to teach. Nonetheless, most dancers have been exposed at some time to either tango nuevo or traditional tango estilo milonguero. Most people will try one or the other and will in the end settle for the one that suits them most.
Outside of Buenos Aires milongas by default are oriented towards Salon Style Tango. This is mainly because they mostly start out as practicas for the students of the local teachers who usually are the organisers. They then progress to what is best described as Practilongas and although they are called milongas they rarely develop past the practilonga stage as the majority of the dancers are intermediate level students of tango (see also Minding the red flags and The fundamental problem of global tango). It is typical of these organisations to want to attract the maximum number of participants. Unless otherwise specified, an Argentine Tango event outside of Buenos Aires is most likely a Salon Style Tango event. From my own experience and talking to like-minded dancers of Tango Estilo Milonguero outside of Buenos Aires the most reliable place for this thus far is Eastern Europe, although I hear of so-called “encuentros milongueros” but have never been to one and cannot confirm that they actually exist. I also read on the blog Tangovoice (which, however, I do not consider very reliable, see TangoVoice’s real agenda) that there have been failed attempts to establish Tango Estilo Milonguero in the US.
Given this, one might argue that Salon Style Tango is the most useful one to learn because it has the most classes and events. However, on the downside, it also has the lowest rate of retention, that is, while most people take salon style tango it is also the case that most people get bored and drop out within 6 to 12 months. Again, to go back to our analogy with the guitar, judging by the fact that most guitars in the music shop are electric and acoustic guitars that one should prefer these over classical guitar. Indeed, the amount of time it takes to learn to play rock music on an electric guitar is much shorter than to learn to play classical guitar. A classical guitarist might still insist that if you want to learn to play music properly and seriously, and gain long term satisfaction you should consider classical guitar. Whether you decide one way or the other will depend on whether words like “proper”, “serious” and “long term” resonate with you (see below).
The reality is that social dancing scenes that are based on studio dancing lessons rather than some sort of a community are inherently unstable because they depend on constant need for the marketing of lessons, and styles of dancing that are the most visually appealing are also the most marketable. Because of its emphasis on culture and limited marketability Tango Estilo Milnguero is more likely to be organised locally by non-profit organisations and connoisseurs who enjoy social dancing to traditional tango music. It might not turn you into a rock star, but it provides enjoyment of classical Argentine tango.
Selecting a teacher
Here’s a quote from a tango teacher that represents a fairly common marketing strategy:
Interviewer: What style of tango do you teach?
Tango teacher: I teach the essence of tango of all styles. I do point out if something belongs to a certain style: Salon, Orillero, Canyengue, Apilado, Milonguero, Nuevo. I especially welcome dancers who want to learn tango in all its complexity and beauty, not bound to any restrictions. I am the only one dancer in our [major city] area who knows all these styles.
What this teacher is saying is that he superficially knows bits of each of these styles but does not know any of them well. He does not welcome any students who want to seriously study any particular style, much less if they actually want to know something about it in depth, but welcomes students who want to dabble in all the different styles and then move on to something else like Salsa, Bachata, Kizomba, etc. His events will be a disconcerting confusion of music and styles where no one knows anything well. His students will turn up randomly to tango events once or twice a year with only the ‘basics’ that allow them to get through a set without falling over and then to hang around taking selfies and networking.
Now, it does make sense for you to try out the different styles in order to see which one suits you the most. However, the worst kind of student is one who takes lessons for 3-6 months and then turns up randomly to events with only basic ideas about the different styles. Once you decide on a particular style you should then stick with classes for at least 12 months to get good enough to participate in a tango event or help organise events.
As a rough guide, each of the three styles suits a different personality type:
- If your main interest is that you just want to dance, enjoy lots of activity, fancy constumes, musicals, and dancing competitions then Salon Style Tango is probably your thing. (O-, C-, E+, A+, N-)***
- If your main interest is that you just want to express yourself, contemporary dance performances and theatre improv, then Tango Nuevo might be for you. (O++, C-, E++, A+, N+)
- If you are more contemplative, enjoy classical music, romanticist literature, art galleries and ancient architecture then Tango Estilo Milonguero might better match your tastes. (O+, C++, E-, A-, N-)
Which picture represents which style of tango? Write down your answer, then scroll to the bottom for the answer key.
*** In the brackets are included high (+) and low (-) on the Big Five Personality Traits: Openness, Conscientiousness, Extroversion, Agreeableness, Neuroticism (OCEAN)
Salon style tango: A F H K L
Tango estilo milonguero: B E I M
Tango nuevo: C D G J